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    Open a larger version of the following image in a popup: Hajnal Gabriella, ONE HUNDRED AND ONE DALMATIANS, 1984 Re-release
    Open a larger version of the following image in a popup: Hajnal Gabriella, ONE HUNDRED AND ONE DALMATIANS, 1984 Re-release
    Open a larger version of the following image in a popup: Hajnal Gabriella, ONE HUNDRED AND ONE DALMATIANS, 1984 Re-release
    Daniel Goozee
    Moonraker, 1979
    Australian Daybill Film Poster
    28⅛ x 13¼ in. (71.5 x 33.5 cm.)
    Backed on linen
    Daniel Goozee, Moonraker, 1979
    Sold
    £ 450.00
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    %3Cdiv%20class%3D%22title_and_year%22%3E%3Cem%3EMoonraker%3C/em%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1979%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EDaniel%20Goozee%3C/strong%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EAustralian%20Daybill%20Film%20Poster%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E28%E2%85%9B%20x%2013%C2%BC%20in.%20%2871.5%20x%2033.5%20cm.%29%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EBacked%20on%20linen%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1) Hajnal Gabriella, ONE HUNDRED AND ONE DALMATIANS, 1984 Re-release
    • (View a larger image of thumbnail 2) Hajnal Gabriella, ONE HUNDRED AND ONE DALMATIANS, 1984 Re-release
    • (View a larger image of thumbnail 3) Hajnal Gabriella, ONE HUNDRED AND ONE DALMATIANS, 1984 Re-release
    Capitalising on the sci-fi space craze in the wake of Star Wars, EON Productions' opted to postpone filming For Your Eyes Only in favour of loosely adapting Ian Fleming's Moonraker...
    Read more

    Capitalising on the sci-fi space craze in the wake of Star Wars, EON Productions' opted to postpone filming For Your Eyes Only in favour of loosely adapting Ian Fleming's Moonraker as the eleventh instalment in the James Bond series. And so Roger Moore's fourth outing as agent 007 saw him head into outer space to prevent a plot to wipe out the world population and recreate humanity with a master race. Despite production costs more than double those of The Spy Who Loved Me (1977), the space-age lark became the highest grossing 007 movie to date, until usurped by Goldeneye in 1995. The Australian Daybill featured the same spectacular silvery artwork by American artist Daniel Goozee, which pictured Bond in a spacesuit rather than his typical tux, as the British and US poster campaigns.

     

    Although a similar format, Australian day bills are significantly rarer than US insert posters.

    Provenance

    Excellent (A)

    Conservation backed on linen with no restoration. Backing has smoothed the two standard horizontal machine folds so that they are virtually invisible. Image and colours excellent.

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